摘要
《悲剧的诞生》是建立在尼采"自身体验"之上的一个作品。在正文所描述的悲剧之诞生、死亡与再生的过程中,隐藏了作为尼采"自己的阿波罗式可见性"的瓦格纳形象的形成过程,该形象在"序言"中得以完成,而在"尝试"中破灭。这一过程也可看做是狄奥尼索斯式的尼采所亲历的一场"悲剧的诞生"。由此,《悲剧的诞生》中的尼采与瓦格纳共同经历了一个悲剧。
The Birth of Tragedy is a work based on Nietzsche' s "self - experience". In the process of the birth, death and re- birth of tragedy described in the text hides the formation of Wagner' s image as Nietzsche' s own "Apollonian visibility". The image is completed in the "Introduction", yet comes to its end in the "Attempt". This process can also be regarded as a "tragic birth" experienced by Dionysian Nietzsche himself. Thus, Nietzsche and Wagner experience a tragedy together in the book The Birth of Tragedy.
出处
《集美大学学报(哲学社会科学版)》
2016年第3期119-123,共5页
Journal of Jimei University:Philosophy and Social Sciences
基金
闽南师范大学科研项目(SS1218)