论大庭美奈子文学的流亡主题——基于《浦岛草》中的战争孤儿的研究

Study on the Theme of Exile in Oba Minako's Literature:Focusing on the War Orphans in Urashimaso

大庭美奈子文学中充溢着二战后的各种流亡元素,其作品把漂泊异乡、毫无生活根基的人比喻为"无根草","无根草"是大庭美奈子文学中处于流亡状态的主人公。《破烂博物馆》中的战争新娘是其"亡命文学"中的一类"无根草",而《浦岛草》中日美混血的战争孤儿是另一类"无根草"。大庭美奈子的《浦岛草》关注日本战后时空中的战争遗留——战争孤儿问题,聚焦并思考战争、女性和人生,表达了作家对战争和社会的反思,其关注、思考女性命运的特殊视角在日本战后文坛别具一格。

Oba Minako＇s literary works are filled with elements of various exiles following the Second World War. Oba＇s work describes the people who lead a wandering life away from their hometowns withoutany foundations as ＂rootless grass＂. The war brides in Shabby Museum is such an example of Oba＇s ＂exile literature＂, while the Japanese-American war orphan in Urashimaso is another. Urashimaso focuses on one of the remaining problems of post-war Japanese society, namely the issue of war orphans. Besides, it reflects on the harms brought by war, women＇ s fate and life.