富有个性的脚步声：拟音的艺术与技艺

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摘要当代好莱坞电影声音风格产生的结果之一就是对极小声音细节更精细的处理，似乎从事声音制作的人要让观众听到那些不可能听到的声音。

作者本杰明·怀特黄英侠(编译)

机构地区不详北京电影学院研究生院北京电影学院声音学院

出处《北京电影学院学报》 CSSCI 北大核心 2016年第4期122-129,共8页 Journal of Beijing Film Academy

关键词技艺艺术拟音个性声音风格好莱坞电影声音制作

参考文献15

1Dramatic 4 flel' can be considered one of the many metaphori-cal phrases adopted by sound practitioners to describe theirwork creating sounds in the film and recording industries. Meta-phors such as ‘ warm ’,‘ bright ’ and ‘ full ’ connote the abstracttechnical demands of sound production. See Thomas Porcello,‘Speaking of sound: language and the professionalization of.sound-recording engineers’ r Social Studies of Science, vol. 34,no. 5 (2004), p. 735.
2Personal interview with Alyson Dee Moore, 10 November 2009.
3Quoted in Dave McNary, ‘Foley artists sound off over uniondeal’,Daily Variety, 25 July 2006, p. 3.
4Quoted in Blair Jackson, * Foley recording: film sound’s mis-understood ait*, Mix, September 2005, p. 58,<http://mixonline.com/mag/au(lio_foley_recording/> accessed 12 May 2014.
5Quoted in Michael Kunkes, ‘Foley: they make the noises for thetalkies,,Editors Guild Magazine, vol. 29,no. 5 (2008), n.p.
6Quoted in Woody Woodhall, ‘ Interview?Monique Redmond ?Foleyartist’,Woody,s Sound Advice, 14 July 2008, <http://www.woo-dyssoundadvice.com/2008/07/14/interview-monique-reymond-foley-artist/> accessed: 15 March 2014.
7Personal interview with Mary Jo Lang, 13 April 2009.
8Ament, The Foley Grail, p. 106.
9Ament, The Foley Grail, p. p. 99.
10Quoted in Kunkes, ‘ Foley: they make the noises for the talkies ’.

北京电影学院学报

2016年第4期

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