状物的汉语与及物的美学——兼论中国现代美学的“中国化”

Simulating-Object Chinese,Transitive Aesthetics and the Sinicization of Chinese Modern Aesthetics

汉语是一种未完全形式化的语言,其天然的指物性赋予了中华美学"物"在场的人文特质——心物共美,从而保持了鲜活的感性生命经验。西学东渐之后形成的中国现代美学,走过了一个多世纪的学科化历程,但在学理建构上基本是对西方形式美学的追随,从而导致了"中华美学"的失语。告别现代审美主义自我指涉的能指游戏,重返"美"的汉语语境,重续中华美学传统,是中国现代美学"中国化"之必然。

Chinese is a kind of not fully-formalized language simulating objects basically.The inherent feature of Chinese language endows Chinese traditional aesthetics with a typical humanistic peculiarity which emphasizes the bidirectional aesthetic feeling of objects and spirit,so as to maintain the fresh and perceptual aesthetic experience.Chinese modern aesthetics has become a subject in the process of more than one century＇s development after the introduction of western learning to the east.However,China＇s aestheticians have not native expressions in theoretical construction following the western aesthetics of form.Terminating the game of the signifier on self-reference of modern aestheticism,returning to the＂beauty＂of Chinese context,renewing the tradition of Chinese aesthetics will be the inevitable tendency of the sinicization for Chinese modern aesthetics.