摘要
本雅明的散文创作《柏林童年》,不仅作为他理论研究的重要参考,也成为作家童年回忆的最好呈现。虽然王涌将本雅明的散文看作非传记性的创作,但之所以称之为散文,在于创作者"非意愿性回忆"的写作中所流露的真实体验。本雅明的阅读经验及艺术体验潜藏着道家影响,这种道家经验不仅表现在作者对自然与人类关系的超越性思考上,还体现在其创作构思及表现形式上的吸收和化用。
The Berlin Childhood is Benjamin' s prose creation which is not only regarded as an important reference of theory study but also has become the best presenting of his childhood. WANG Yong thinks Benjamin's prose is not the biographical creation. But the reason it is treated as prose lies in its "involuntary memories". Taoism influence hides in his reading and art experience. On the one hand, this experience is reflected in his thinking about relationship between nature and human; on the other hand, this is showed in his absorbing and adaptation of conception and form.
出处
《宜宾学院学报》
2016年第7期29-34,共6页
Journal of Yibin University
关键词
本雅明
道家
自然
物我合一
进入
文人画
Benjamin
Taoism
nature
integration of nature and humanity
entering
literati paintings