摘要
詹姆逊建立了新的马克思主义阐释学,这一阐释学的建立标志着他的"形式的意识形态"文学形式思想的形成。詹姆逊从"辩证的文学批评""文学是一种社会的象征性行为""意识形态的遏制策略""乌托邦和意识形态"和"三个同心圆阐释模式"五个方面,阐释文本形式与内容、意识形态的关系,主张从形式着手对文本进行阐释,在分析的终点与政治(意识形态)相遇,最终揭示文本形式背后所蕴含的政治无意识。詹姆逊对于文本审美形式的相对独立性的强调,使形式成为文学批评的立足点,对中国当代批评实践具有重要的指导意义。
Jameson established a theory of hermeneutics of of his thinking of literature form about "formal ideology". new Marxism, which is the sign of the formation Jameson explains the relationship among "form" and as well as "ideology" from five aspects: "dialectical literature criticism", "literature is social symbolic behavior", "strategies of containment of ideology", "utopia and ideology" and "three concentric circles of bermeneutics model". He advocates that the text should be interpreted from form at first and then meet with political (ideology) at the end of the analysis, finally reveal the political unconsciousness hiding behind the form of text. Jameson insists on the relative independence of text' s aesthetic form and makes form the foothold of literary and cultural studies, which has guiding significance to Chinese contemporary literary criticism.
出处
《宜宾学院学报》
2016年第7期35-41,68,共8页
Journal of Yibin University
关键词
詹姆逊
文学形式
意识形态
阐释
中国当代批评
Jameson
literature form
ideology
explanation
Chinese contemporary literary criticism