摘要
艺术家以其作品取悦于人民,为大众服务,逐渐形成了专业性群体。他们平时重视自身的修养,苦练基本功,并勤于思维,启发灵感,捕捉那些想象出来的优美形象。文学和艺术彼此有共性,而且二者关系非常亲密,有时甚至难以分开。此外,文学的"诗"与艺术的"画",在中国人的审美意识中,常被联系在一起,所谓"如诗似画"。美学和艺术学是非常紧密的两个学科,但美学不是艺术学,作为哲学的美学,可以使艺术得到指导、启发与借鉴,但它本来就不是艺术学。美学研究审美趣味、审美经验、审美直觉,是纯粹的科学、规范的理论;艺术学是研究艺术作品的起源、本质、形式、创作及分类,是应用的科学、普通的技术。中国艺术学的建立,作为理论研究,须把握以下几个要点,或说是原则:一是做为艺术学科理论的艺术学。我们必须从整个学科的特点出发,从它的发展、演变和现状,探讨其性质和规律。二是从实践中提炼的艺术学。艺术的理论不是由上而下的艺术的观照,而是由下而上,从艺术的实践和创作过程中提炼出来的。三是整体研究与局部研究。四是艺术的个性、共性与共同规律。
Artists serve people and please people with their works and gradually become a professional group. They pay attention to their own cultivation, and are diligent in thinking, and are good at seize elegant images. There are a lot of communities between literature and art and they are very close and some are difficult to separate from one anoth- er. In addition, poetry and painting in Chinese people' s aesthetic consciousness are often related together. Aesthetic and art science are two different disciplines, but aesthetics is not art science. As philosophy, aesthetics could guide and inspire art, but aesthetics is not art science. Aesthetics research aesthetic taste, aesthetic experience, aesthetic intuition, and it is a purely scientific and formal theory. Art science researches the origin, essence, form, creation, and categorization of artworks, and it is a applied science and a universal technology. In the course of establishing Chinese art science, we should grasp it as a theory, and grasp it as practice, and grasp it from a comprehensive and concrete perspective, and grasp the individuality, mutuality and mutual law of art.
出处
《艺术百家》
CSSCI
北大核心
2016年第3期127-135,161,共10页
Hundred Schools In Arts