机械复制与拟像仿真——消费视域中艺术观念的嬗变

Mechanical Replication and Simulation: Transformation of Art Conception in Consumption Threshold

文章全面阐释了后现代主义艺术在对现代主义艺术的继承和否定中所显现出来的嬗变轨迹。后现代主义艺术由对个性的消解转向了对机械复制的关注,机械复制的结果导致拟像的大量产生。拟像仿真使艺术与非艺术的边界发生内爆,松散了艺术符号能指和所指之间的关系,艺术越来越弥散化、去中心化,形成了与现代主义完全不同的艺术观念。从某种意义上可以说,"拟像仿真"是继现实主义的"客体再现"和现代主义的"主体表现"之后的一种新的艺术观念。

In this paper, I comprehensively interpret postmodem art and its transformation track while inheriting and negating modem art. Postmodem art transforms from a digestion of individualism to an attention to mechanical replica- tion which results in a mass production of simulation. Simulation brings violence on the boundary of art and non - art, looses the relation between signifier and signified. Art becomes more and more dispersed, decentralized, and forms a conception very different from modernization.