摘要
瑞典文学院曾在2006年授予奥尔罕·帕慕克诺贝尔文学奖的颁奖词中评价他的写作"在追求他故乡忧郁的灵魂时发现了文明之间的冲突和交错的新象征",《伊斯坦布尔:一座城市的记忆》正是这样一部作品。帕慕克将个人的生命体验与其故乡伊斯坦布尔的沧桑变迁糅合为一体,勾勒出了一幅现代土耳其人的精神图谱。以城为镜,帕慕克凭借作家的敏锐在故乡的历史浮沉中照见了自身。他采用虚实交错的叙事手法,打破线性时间的约束,并运用视觉影像与文字相佐,将个人生命体验深刻地融入城市的风光人情之中,进一步升华为代表土耳其民族精神的"呼愁"。这一"呼愁"正是现代土耳其人在肯定与否定中矛盾而割裂的文化身份的象征。
The Swedish Academy comments in the award words for Nobel Literature laureate Orhan Pamuk that his writings ＂find new symbols of cross-cultural conflicts and crisscross while pursuing the melancholy spirit of his hometown＂. The book Istanbul.＂ Memories in a Ci（y is just such a book. Pamuk integrates his own life experience with the drastic changes in his hometown Istanbul to outline a spiritual picture of modem Turkish people. Using the city as a mirror, Pamuk depends on his alertness to see his reflection in the ups and downs of hometown history. With narrative method both symbolic and real, he breaks the limitation from linear time and uses visual images and literary words to integrate his experience with various scenes and feelings, and then promotes to a level that represents Turkish national spirit of ＂yelling worries＂. It is this ＂yelling worriers＂ that identifies Turkish people＇s cultural identification between affirming and negating.
出处
《解放军艺术学院学报》
2016年第2期147-152,共6页
Journal of PLA Art Academy
