摘要
阿里斯托芬的妇女剧虽然以女性为名,塑造了敢于突破传统、积极介入公共政治事务的的女性形象;但这些女性仍然生活在传统性的舞台空间和社会空间之中。作为喜剧中被观看的对象,她们所谓的政治追求和欲望觉醒,不过是男性的虚构和想象。在喜剧的笑声中,男性再一次强化了对女性的性别规训,女性的自我和主体性在男性的世界从来都是缺席。
Aristophanes created a special group of female images in his three works of women. These women are brave to break through the tradition and actively involved in public and political affairs. But they were still living in the stage of traditional space and social of traditinal space. As the subject of seeing in the comedy, their so - called political pursuit and awakening desire, but is the male fiction and imagination. In the laughter of the comedy, men strengthen the discipline on women' s gender once again. Women' s self and subjectivity in the male - dominated society has always been absent.
出处
《齐齐哈尔大学学报(哲学社会科学版)》
2016年第8期113-115,共3页
Journal of Qiqihar University(Philosophy & Social Science Edition)