摘要
所谓"文化",是一种流荡广远而又包涵广大的整体性的精神存在,在中国古代是"文治"与"教化"的总称。中国戏曲的形成历经了千百年的孕育和沉淀,它的程式化表演作为一种独具特色的表演文化形态也接受了漫长的考验和衍变,达到了高度的精致和完美,其内在的文化脉络始终体现着中华民族传统思想文化精神——"天人合一",是中国人的文化追求在艺术上的集大成表现。及至当下,这一文化精神亟需在新的时代中继承与发展、创新与突破。
As the integrity of spiritual existence, the so-called culture with rich connotation goes through many generations and spreads far and wide. In ancient China, culture is as a general term for civil administration and indoctrination. The formation of Chinese traditional opera experienced accumulation over centuries and the stylized performance, being an unique performance cul- ture form, went through long test and development, achieving a high degree of delicacy and perfection. The internal cultural context of Chinese traditional opera always embodies the spirit of Chinese traditional ideology and culture--the harmony between human and nature, which is the reputation of Chinese people's culture pursuit in art. Nowadays the culture spirit needs to be inheri- ted and developed, be innovated and broken through.
出处
《中国劳动关系学院学报》
CSSCI
2016年第3期91-95,共5页
Journal of China University of Labor Relations
关键词
文化精神
程式化表演
“天人合一”
概念戏曲
cultural spirit
stylized performance
the harmony between human and nature
concept drama