摘要
刺点形成诗的刺痛感与语境张力,20世纪80年代口语写作刺点运用已久,对刺点书写的重视,有助于当下写作的话语实践与尝试。臧北的诗歌写作自觉地体现出"刺点"的形式技巧与诗意生成的智力转换,其诗歌话语背后的诙谐与意趣、形而上的沉思,使刺点书写不失诗意,形式与诗性互为影响,对当代诗歌的语言与形式探索具有重要的理论价值。
Pricking points form poetic piercing sensation and contextual tension,in which oral pricking composition has long been used since 1980 s. An emphasis on pricking composition contributes to current discourse practice and exploitation. ZANG Bei's poetic writing conscientiously displays his "pricking"structural skills and intellectual transformation of poetic generation.His humor,charm as well as metaphysical consideration behind the poetic discourse endows pricking composition a poetic beauty,form and sentiment. It provides great theoretical values for linguistic and structural exploitation of contemporary poetry.
出处
《南京理工大学学报(社会科学版)》
2016年第4期8-14,共7页
Journal of Nanjing University of Science and Technology:Social Sciences
基金
2011国家社科项目"朦胧诗以来现代汉语诗歌的语言问题研究"(批准号11BZW096)阶段性成果
关键词
刺点
张力
诗性
当代诗歌
pricking points
tension
poetic nature
contemporary poetry