一双煮得半熟的靴子?——车尔尼雪夫斯基批判

A Critique of Chernyshevsky

车尔尼雪夫斯基以绝对的态度强调现实对艺术的优先地位,并将自己的美学理念推向极端,从而赋予它以单向度的封闭性和狭隘性。本文从"生活"概念入手,分析了车尔尼雪夫斯基的核心观点的问题,论述了他的"功利主义"观点的合理性与局限性,梳理了他在文学批评活动中所表现出来的"敏锐、坦率与偏见"。

In Chemyshevsky＇s literary criticism practice, reality has the absolute dominance over arts, and this leads to the extremity in his aesthetic concept, resulting in the one-dimensional, closed and narrow understanding of his aesthetics. This paper takes his concept of ＂life＂ as starting point to analyze his key views and examine the legitimacy and limitations of his utilitarianism, and tries to do justice to the acuteness, straightforwardness and prejudice in his literature criticism.