摘要
以明朝大将王骥为崇拜对象的"三崇"信仰广泛流行于云南滇西少数民族地区,其中又以云龙白族地区和腾冲傈僳族地区最为典型。二者各自对王骥的形象进行了本土化的阐释、加工和神化,使王骥的形象从历史形象向宗教形象转变。与此同时,二者又发展出了不尽相同的宗教仪式来表达对"三崇"神王骥的崇拜。在神话与仪式的交互作用下,在宗教层面上建构起了政治和文化意义上的国家认同。
"SAN CHONG worship" takes senior general of Ming dynasty Wang Ji as the object of worship, is widely spread in the west of Yunnan minority areas, particularly in Yunlong Bai minority area and Tengchong Lisu minority area. Both of them interpreted, processed and deified the image of Wang Ji in accordance with its own local cultures which transformed Wang Ji from a historical image to a religious image. At the same time, they also developed different religious ceremonies to express the worship to "SAN CHONG ". In the interaction between myth and rite, it successfully built up national identity of political and cultural implications in terms of religion.
出处
《攀枝花学院学报》
2016年第4期1-5,19,共6页
Journal of Panzhihua University
关键词
三崇信仰
王骥
白族
傈僳族
SAN CHONG worship
Wang Ji
Bai people
Lisu people