论岩井俊二电影女性主义叙事策略——以女性着装为例

On the Feminist Narrative Strategy of Shunji Iwai's Film from a Perspective of Women's Dressing

日本著名的新锐电影导演岩井俊二用《情书》《四月物语》《燕尾蝶》《关于莉莉周的一切》等影片对日本及东亚的女性主义作了精彩的叙事,在他成功使用的叙事策略中,服装是最为重要的一种。这与服装对女性的特殊意义固然有关,但岩井俊二特意在服装上放入了他对女性主义的特定理解,其结果是在他的电影中,女性与服装之间的张力活跃之地,成了他电影的女性主义叙事最为亮丽,也最具有想象空间的地方。可以毫不夸张地说,正是在电影中的服装这里,通往岩井俊二电影所讲述出来的女性主义世界深处的路径被导演巧妙地标示了出来。

The famous new director Shunji Iwai has made perfect description of feminism in Japan and Eastern Asia in the films A Love Letter ,April Story ,Swallowtail Butterfly ,and All abut Lili Chou .Dressing is one of his successful narra-tive strategies.Of cause,this is because the dress has special significance for women.However,the director deliberately has fused his understanding of feminism into the dressing.Consequently,the space in which the tension between females and their dresses is active has become the most bright and imaginative place of the feminist narration in his films.Without exaggeration, it is on the dress in the films that the paths to the depth of the feminist world narrated in the Shunji Iwai’s films are perfectly marked by the director.