论非物质文化遗产展演的景观化现象——以泰顺“畲族三月三”为例

The Landscape on the Phenomenon of the Intangible Cultural Heritage Exhibition——A Case Study on She Customs Festival on March 3 in Taishun County

随着国家非物质文化遗产项目的增多,作为地方文化建设重点的非物质文化遗产项目不断被展演出来,有的已失去其最初的"色彩",如浙江泰顺"畲族三月三",被建构成歌舞表演、吃乌饭宴和婚俗表演三个主要展演板块,与其原有样态相去甚远。非物质文化遗产真正的内涵已经被展演出的华丽却虚假的表象遮蔽了,成了被"景观化"的非物质文化遗产。而"本真性"的保护是非物质文化遗产保护的重点,故景观化的非物质文化遗产已不能算作是真正的非物质文化遗产了。

With the increasing of national intangible cultural heritage project,the intangible cultural heritage as a key area of local culture construction which continues to be show out,some have lost its original＂color＂,such as＂She Customs Festival on March 3＂which is to be constructed song and dance performances,eat black rice banquet and Marriage Customs show the three parts and it is far from the original state. As Guy Debord＇s the society of the spectacle described,the real connotation of intangible cultural heritage has been show the beautiful but false appearance,and the intangible cultural heritage exhibition has became the phenomenon of landscape. The protection of ＂authenticity＂is the focus of the protection of intangible cultural heritage,so the landscape of intangible cultural heritage has cannot be counted as is truly non-material cultural heritage.