摘要
后殖民女性主义关注在统治结构中处于被边缘化的"他者"地位,着力改写传统的"主体"与"他者"的关系,自觉维护"他者"利益,从较深层面上对妇女及第三世界进行再认识。《简·爱》中三个"他者"形象,即伯莎·梅森、英格拉姆小姐和简·爱,分别代表了受父权制和殖民主义双重压迫下的"他者"及生存在父权制社会"边缘"的"他者"不同的命运和遭遇。基于后殖民女性主义理论,剖析这些"他者",以期人们能从较深层面上理解西方的殖民霸权和被殖民的东方,启迪人们正确认识多元文化,思考仍是弱势群体的整体女性真正获得独立和解放的有效途径,推动人类文明的进步和发展。
The postcolonial feminism focuses on the position of the marginalized wotherw in the governing structure, tries hard to change the relationship between the usu bjectand the wother , nconsciously protects the interests of the uotheru and deeply understands the women and the third world. Three uother Mimages in Jane Eyre, that is , Bertha Mason, Miss Ingram and Jane Eyre, respectively represent the different destinies and unpleasant experiences of the other , which were oppressed by the patriarchy and the colonialism and became marginalized in the patriarchy society. Based on the postcolonial feminism 7 the paper analyzes these wotherw so that people will better understand the western colonial hegemony and the colonized East. In addition, the paper will stimulate people to deal with the multi-culture correctly, and to think about some effective ways to make the whole women, still the vulnerable groups, become completely independent and unchained. Therefore, the human civilization will make more progress and develop further.
出处
《渭南师范学院学报》
2016年第15期76-80,共5页
Journal of Weinan Normal University