西方音乐阐释理论的历史梳理

The historical outline of interpretive theoryin western music

西方音乐阐释理论大致可分为中心主义和多元主义两类。前者主要分布在19世纪至20世纪中叶,后者基本上分布在20世纪后半叶以来的后现代主义及其"之后"的时段。前者对音乐的释义,经历了作者中心、作品中心和读者中心的移动。相应的理论有历史释义学、结构主义和接受美学。后者则出现了从结果到过程、从作品到文本、从确定到随机、从中心到多元,以及从单一到多样的演变,涉及解构主义、多元对话理论、生态哲学美学等后现代主义及之后的理论。各种音乐意义的阐释理论或观点都有各自的历史语境,亦有各自的逻辑结构;从关系实在论哲学观点看,这些阐释理论或观点都具有自洽的合理性。时间先后并非进化,仅为历史分布。

The music interpretation theory in Western can be roughly divided into two categories,centrality and pluralism. The centrality was mainly popular from the 19 th century to the middle of the 20 th century,and the pluralism which includedhistorical hermeneutics,structuralism,aesthetics of reception,was used after the second half of the century,especially in the postmodernism and later period. In pluralism,the characterof culture from result to process,form work to text,form certainty to random,from center to multielement,and from single to diversity.The analysis refers to many postmodernism methods,including structuralism,theory of multiple dialogue and ecological aesthetics. All kinds of method for meaning explanation,which have no evolutionary relationships,have particular historicalcontext,logical structure and rationality under concept of realism on relations.