游走于“不定点”之间的阅读——重读卡佛短篇小说《严肃的谈话》

The Reading Between Indeterminacies——Reread the Short Story "A Serious Talk" by Raymond Carver

英伽登现象学美学理论将艺术作品的一般研究和审美经验相融合,实现打破传统美学主客对立的重要突破。了解作品的实际知识和研究一系列特殊的、非常重要的问题,不仅构成美学一个领域的基础,而且构成读者客观理解文学艺术价值与审美价值可能性的基础。其中"实际知识"在艺术作品"四个层次"中得以充分展现,而"特殊的、非常重要的问题"则聚焦于文本"不定点""具体化"等理论中。通过重读卡佛短篇小说代表作《严肃的谈话》,在深度细读中体验个体与作品的联系,进而廓清作品本身层次结构和认知过程,在作本质分析的基础上使读者意识到特殊的艺术问题的存在及进行方式。

The phenomenon aesthetics theory of Roman Ingarden tried to merge the general study and aesthetic experience to-gether, which became the breaking point of traditional aesthetics theory. Understanding the actual acknowledge and investiga-ting a serial unique and important questions of works, constituted the foundation of aesthetics and the possibilities of objectivecomprehension of artistic and aesthetics value in understanding. The actual acknowledge shows up in four distinct strata, and aserial unique and important questions show up in the theories of indeterminaeies and eoncretization. We reread the short story ＂A Serious Talk＂ by Raymond Carver, tried to outline the structure of formed of heterogeneous strata and the cognitive process,dissected the prolongation and ambiguity of works, found the connection between reader and author by reading, made readersrealize the exist and the way of proceed about art of work.