唐代服饰图形“陵阳公样”

ON LINGYANGGONG PATTERN OF COSTUME PATTERN OF TANG DYNASTY

在唐代,中国丝绸的发展可与其封建社会制度比肩,一度达到鼎盛的巅峰。唐朝人民繁荣奢靡的生活通过丝绸体现得淋漓尽致。在唐代特殊的社会制度影响下,促使魏晋南北朝以来受到波斯萨珊王朝刺激的联珠纹得到了很好的发展。唐代设计师窦师纶对联珠纹的发展变化做出了很大的贡献。他结合外来的联珠纹与唐代固有的设计风格,设计出"陵阳公样",其迎合了当时唐代人民的审美需求,得到了人民的喜爱,一度成为唐代典型的装饰纹样,直至晚唐时期仍有余韵。

The development of Chinese silk once reached the peak in the Tang Dynasty as well as the feudal social system. A prosperity and extravagant life style can be seen in the Tang Dynasty through silk. Under the influence of the special social system in the Tang Dynasty, the Lianzhu Pattern, which had been stimulated by the Persian Sassanian Dynasty since the Wei, Jin, Southern and Northern Dynasties, obtained a good development, The Tang designer Dou Shilun made a great contribution to the evolution of the Lianzhu Pattern. Combining the exotic Lianzhu Pattern with the inherent Tang style, he created the Lingyanggong Pattern, which catered to the aesthetic needs of the Tang people at that time and was very popular. The Lingyanggong Pattern had been the typical Tang decorative pattern until the late Tang Dynasty.