摘要
《牡丹亭》梦境所描述的现象,比较契合弗洛伊德潜意识理论。这是中国文学史上心理描写的进步,也是汤显祖以自身经历为依据,长期记录和探索梦境的结果。从梦境的视角,还可以发现《牡丹亭》全剧结构和人物塑造的互文性,找到对柳梦梅形象产生不同评价的原因。
The description of the dreams in The Peony Pavilion mostly match Freud＇s theory of subconsciousness,and it is the break-through of the psychological description in Chinese literary history and the results of the long-term record and research for dreams accord-ing to Tang′s personal experience.From the perspective of the dreams,the intertextuality of the structure and the characterization in this drama is shown and the reasons for the different comments for the hero,Liu Mengmei,are disclosed.
出处
《昆明学院学报》
2016年第4期98-106,共9页
Journal of Kunming University
基金
浙江省教育厅项目"传统文化对周作人的影响"(Y201326547)
关键词
汤显祖
牡丹亭
梦境描写
潜意识
中国文学史
心理描写
Tang Xianzu
The Peony Pavilion
depiction of dreams
subconsciousness
Chinese literary history
psychological description
