摘要
饶宗颐先生在学艺融通所表现出来的艺术的独特品格和异样风格,使之成为当代文人艺术的代表,是中国文人画传续到21世纪的独特个案。饶宗颐先生艺术成就的特点,在绘画形式方面主要表现在两个方面:一方面从摹古开始却不拘泥古法,在学问的滋养下参合诸家笔意,诗书画三位一体;另一方面不断吸收包括敦煌学在内的诸多研究成果,以及在专业方面的由此及彼、触类旁通下常常以新的画法让人们刮目相看,创立了"西北宗"的特色。
The fusion of art and learning as realized by Jao Tsung-I holds a unique place in Chinese literati painting up until this century.As an outstanding and representative literati artist of the present age,he reaches two great artistic achievements in painting.On the one hand,he starts with imitating ancient painting styles but goes beyond those old techniques by integrating a lot of elements into a definitive trinity of poetry,calligraphy,and painting.On the other hand,based on his profound learning,he adapts Dunhuang elements and images in an ingenious and spontaneous way,laying the cornerstone for the Northwest Style.
出处
《孔学堂》
2015年第3期64-72,187,188,189,190,191,192,193,194,195,196,197,198,共21页
Confucian Academy
关键词
写生
摹古
文人
敦煌
佛教
禅意
sketch
imitation
literati
Dunhuang
Buddhism
Zen