摘要
坚持以传统为本,将《诗经》还原到当时的演唱现场,从口头诗歌的创编、演唱和流布诸方面,观察、分析和阐释它的演唱特征、诗学法则,解读其蕴藏的传统内涵,揭示《诗经》中存在的诗歌类型的谱系性形态,并对口头诗歌的界定提出了某些新见解。
Based on the tradition,from the perspectives of composition,performance and transmission,this article restores Shijinginto the scene of its performance,and observes,analyzes and interprets its performing characteristics and poetic rules,interprets the traditional connotation of it,reveals its lineage morphology of kinds of poetries and songs in Shijing,and proposes some new opinions about the definition of oral poetry as well.
出处
《民俗研究》
CSSCI
北大核心
2016年第5期27-33,158,共7页
Folklore Studies
基金
国家社会科学基金后期资助项目"中国少数民族史诗研究的反思与建构"(项目号:15FZW031)的阶段性成果
关键词
《诗经》
口承
书写
Shijing
oral transmission
written forms