热闹而绝望的寓言剧:历史的、政治的和反抗的——陈国峰先锋三剧合论

A lively but Desperate Fable:History,Politics and Resistance——On the three plays of Chen Guofeng

自新世纪以来,陈国峰先后贡献了三部先锋话剧剧本:《精神病患者》《天堂或地狱》以及《好莱坞的蟑螂》,三部话剧具有典型的寓言剧特征,作家通过典型场景、人物、道具的设计,达到对严肃历史性命题的探索。三部先锋话剧因此显示了陈国峰的一种世界性的视野和概括,以及追责历史的野心与冲动。这种世界性视野和追责历史的野心是在热闹风格的戏剧表现形式里孕育和表达的,舞台上热闹的戏剧效果和剧作蕴含深沉的人文关怀之间形成一种强烈的对比和张力。如是,戏剧在热闹的氛围里流泻出一种深深嘲讽与无可奈何相混杂的暗黑。

In the new century, Chen Guofeng has contributed three avant-garde dramas： Psychopath, Heaven or Hell and Hollywood Cockroach. Three avant-garde dramas with typical characteristics of the fable series, Writer made the design of typical scenes, characters, props to explore the serious historical proposition. So three avant-garde dramas show Chen Guofeng＇s world view and summary of the world,as well as the ambition and impulse to pursue the history of responsibility. The world view and the history of accountable ambition is in a lively style of theatrical forms conceived and expressed, stage lively drama and drama contains deep humanistic concern between the formation of a strong contrast and tension. So the drama pouring out of a deep cynicism and helplessness are mixed in a lively atmosphere in the dark.