摘要
电影原声中的钢琴音乐从电影问世之时就伴随其左右,经过100多年的发展,现在已是五彩斑斓。西方各时期中的原创大师对其探索与创新可谓前赴后继,不停地为后人们开拓其发展道路。20世纪中后期,不同的元素风格之融合创新写法成为钢琴原声的创作主导,并深深影响着东亚电影原声事业圈,呈现出西洋与东亚在钢琴原声音乐发展上较为统一的局面。
Piano works in movie soundtracks has developed together with the movie since its beginning,and has become multitudinous. Generations and generations of master of originality in the west have devoted to its explorations and creativity at different times,which has smoothed the way for the followers. In the latter half of the 20 th century,to combine different styles into the composition of piano originals creatively dominates the field in the west and has asserted deep influence on the movie soundtracks in oriental Asia,which has made it possible for the west and the oriental Asia to have a similar development in piano soundtracks in movies.
出处
《山东理工大学学报(社会科学版)》
2016年第4期94-97,共4页
Journal of Shandong University of Technology(Social Sciences Edition)
基金
教育部回国留学人员科研启动基金资助项目
西南民族大学研究生学位点建设项目(2016XWD-S1302)
关键词
电影原声
钢琴原声
音乐风格
movie soundtrack
piano soundtrack
music style