《金瓶梅》的遗留问题与清初白话小说创作格局之形成

The Legacy of Jin Ping Mei and the Writing Pattern of Vernacular Novels in the Early Qing Dynasty

《金瓶梅》中的因果报应模式实为本土信仰与外来佛教结合后的产物。本土信仰,即易学思维下相生相倚的循环论导致了其果报论的不彻底性,而为色空思想所笼罩的"欲望与自我救赎"这一创作主旨也在作者对世俗"色相"的过度描写中极大地偏离了"自我救赎"的终极旨归,并最终导致了原初的制欲意图以失败告终。作为《金瓶梅》的遗留问题,制欲机制的失败及其背后所隐含着的深层信仰危机为其后的清人留下了更多的思考空间,并对清初白话小说(以两性关系为题材)的创作格局规划产生了深远影响。

The legacy of Jin Ping Mei, The failure ot the mechanism oz ~ne ueszre w ~uat~ LHC ~y^L^-of Yin Ping Mei and the belief crisis triggered by the Yin Ping Mei have a profound influence on theformation of the vernacular novels in the early Qing Dynasty （in the relationship between the two sexes）.From the ＂Golden Lotus＂ in early Qing Dynasty to the Qing Dynasty Vernacular Novel Ye Sou Pu Yah ofthe development chain, Vernacular novel （by sex theme） creation pattern to a certain extent, it was formedunder the influence of ＂Jin Ping Mei＂ .