摘要
《金瓶梅》的"夜化"叙事可据其内容类型而大致划分为"夜宴"、"夜欢"、"夜闹"等形态。"夜宴"叙事将豪富之家举办的觥筹交错、杯盘罗列的宴会放置于夜色之下来展开,另辟蹊径地展现了"酒"作为人欲本能的具象呈现所具有的功效;"夜欢"叙事将男女之间发生的目挑心许、色授魂与的艳行放置到黑夜之中来描述,自然可信地暴露了"色"作为人欲本能的致命弱点所引发的祸端;"夜闹"叙事则将争斗者引发的或恐怖骇异、或寻常平淡的事件放置在长夜之间来进行,准确有力地揭示了"气"作为人欲本能的极端化展露所引发的危害。
Generally, the nocturnal narrative in Jin Ping Mei can be divided to many forms, such as "dinner party" , "night fun" , "night hilarity" and other forms according to its different genres. Gobletsflash from hand to hand, the banquets with cups and plates listed hold by wealthy families "Dinnerparty" narrative was described in a particular writing style. It represents the effect of "alcohol" as detailedbasic instinct of human desire.To consent tacitly and lewd behavior between men and women were put intothe background of dark night in "night fun" narrative.It reveals the source of the disaster cased by "lechery",which is also the Achilles heal as basic instinct of human desire.Terror or ordinary scenarios were descriedunder the background of "night hilarity" narrative.It reveals the dangerous of "angry" ,which is caused bythe exposure of extreme change of basic instinct of human desire.
出处
《聊城大学学报(社会科学版)》
2016年第4期40-46,共7页
Journal of Liaocheng University:Social Science Edition
关键词
夜化
叙事
《金瓶梅》
欲望
nocturnal
narrativeJin Ping Mei
desire