摘要
台湾艺术家陈滢如常常将自己置于一个危险又富有挑战性的位置：她以神秘学的方法,演绎推理宇宙与人类关系的叙事。当人们问她相不相信这些内容时,她总是笃定地点头。陈滢如的创作因此兼具两种特性,一方面她会极尽所能拓宽视野,阅读、采访调查她并不擅长的领域,从宇宙学横跨致幻剂的研究;另一方面,她的作品传递给人的信息就像她的回答一样,
Taiwan Residents artist Yin-ju Chen often places herself in a position both perilous and challenging： by means of an approach based on mysticism, she deduces and infers narrative relations between mankind and the universe. Upon being asked whether she does or does not believe in these matters,
出处
《艺术界》
2016年第4期30-33,共4页
