摘要
近一个世纪以来,艺术家们纷纷转向将档案作为一种方式去质询摄影及其传统纪录形式的地位。而近年来,艺术家们又更进一步地对照片档案进行检视,将之视为介于证据和文档之间的一处历史遗迹,它同时保有公共的和私人的记忆。安迪·沃霍尔的职业生涯所基于的,正是这样的理念——以提供再现日常生活（消费品、政治纷争、名人）的图像为突破点,
For nearly a century, artists have turned to the archive as a means to interrogate photography and its traditional place as a form of documentation. In recent years, artists have further examined the photographic archive as a historic site between evidence and documentation,
出处
《艺术界》
2016年第4期50-53,共4页
