摘要
继个展＂土豆烧牛肉＂之后,刘辛夷在空白空间精心构建的两段视觉叙事组成了一篇关于全球社会政治现状的辩证性视觉散文,其中不乏大量双关语的使用。位于入口处迎接观众的作品《安全第一》（2016）由三组安检台组合而成,象征了当代社会对恐怖分子的抑斥情绪：安检台上,每个人都会被要求进行身体搜查,
Two years after the artist＇s exhibition ＂Goulash＂ in White Space, ＂Hundred Thousand Miles Away＂ is Liu Xinyi＇s first exhibition in the gallery that uses both spaces of the gallery. The two chapters together form a critical visual essay on global socio- political situations that is meticulously structured, and is not stingy with puns.
出处
《艺术界》
2016年第4期179-179,共1页
