摘要
21世纪的屏幕就好比是20世纪中期的画布：各种艺术理念在之上产生、碰撞、角逐。它是呈现画面的框架还是雕塑本身？它包含还是排斥了空间？它的光滑表面到底有什么优缺点？它更适合动态还是静态的场景？博物馆通过推出纯视频展示的项目也加入了这场论战。惠特尼美术馆新馆设置了一个黑盒子般的舒适空间,专门用来投影影像作品。
The screen is to the early twenty-first century what the canvas was to the mid- twentieth： a fraught arena for artistic ideas, battles to be fought and ideas contested. Is it a frame or a sculpture？ Does it contain or repel space？ What are the advantages and disadvantages of its slick surface, its capacity to display movement or stillness？ Museums have been joining the fun by launching video-only programs.
出处
《艺术界》
2016年第4期198-198,共1页
