《埋剑记》的侠义精神与江湖文化

Chivalrous Vitality in “The Sword Entombed Biography”and the River-Lake Culture

沈璟《埋剑记》继承了唐代小说《吴保安》本事中的侠义精神,同时不拘泥于原有的故事框架进行了艺术创造。沈璟将吴地的豪侠事迹融入其戏曲传奇之中,这使戏曲情节增加了吴地的文化特征,也促进了其在吴江地区的传播。沈璟《埋剑记》的创作汲取了史传中豪侠的事迹以及咏侠诗的素材,使作品中充溢着坚贞不渝、重侠轻儒与移孝为忠的豪侠精神。同时,江湖文化与民间文化也对戏曲创作产生影响,使沈璟戏曲作品中的侠义精神具有新的时代文化内涵。

Inheriting chivalrous vitality from the Tang Dynasty novel ＂Wu Bao- an＂,＂The Sword Entombed Biography＂written by Shen Jing was not rigidly adhered to the original story on the basis of the framework,but had an artistic creation. Gallant stories of Wu area were integrated into Shen Jing＇s opera legends,which increased the cultural characteristics of Wu area into his drama plots and that contributed to the spread of his dramas in Wujiang area. The creation of ＂The Sword Entombed Biography＂written by Shen Jing drew gallant stories from historical biographies and assimilated materials from chivalrous poems,so they were filled with gallant spirits of faith,more chivalry than Confucianism and changes from filial piety to loyalty in this work. At the same time,the river-lake culture and folk culture also had an impact on the creation of dramas,which entrusted the chivalrous spirit in Shen Jing＇s opera works with a new era of cultural connotation.