摘要
本文讨论了刘家琨新作成都西村·贝森大院的建筑特征及其内涵。文章分别分析了西村的城市性、具体的建筑处理手段与刘家琨以往建筑语汇之间的关系,以及建筑更深刻地切入现实所带来的一系列问题。最后文章借用尼采对阿波罗与狄奥尼索斯两种趋向的划分,指出西村的核心特点是对现象的美化颂扬,这构成了刘家琨"处理现实"设计策略中一个新的维度。
This article is a criticism of Liu Jiakun's latest project, the West Village in Chengdu. It discusses various aspects of this project, its urban characteristics, its architectural characteristics, its relationship with Liu Jiakun's normal vocabulary, and the multiple problems caused by deep involvement in social reality. In the end, borrowing Nietzsche's distinction between Apollonian and Dionysian drives, the article pointed out that the cardinal attraction of the building is the "luminescent glorification of the eternity of the phenomenon". It adds a new dimension to Liu's strategy of "handling reality".
出处
《建筑师》
2016年第4期89-99,共11页
The Architect
关键词
城市
粗野
现实
阿波罗
狄奥尼索斯
City, Brutalism, Reality, Apollonian, Dionysian