论儒家文化对《水浒传》思维机制的多层建构

Confucian Cultural Multilayer Construction on the Thinking Mechanism of “Water Margin”

儒家文化作为一种民族心理的深层积淀参与到《水浒传》思维机制的构建和运作当中,表现在文本运思、人物塑造、情节构置等的方方面面。儒家文化是《水浒传》中根本性和基础性的文化因素,是《水浒传》思维架构不可或缺的材质。《水浒传》"春秋笔法"的寓意和"怨刺上政"的写作目的,男女性人物的塑造、定位和水浒英雄满溢的"入世"激情,对儒家重要伦理范畴"仁"、"义"的深刻诠释和拷问,以及"招安"宏愿得偿的结局中所隐含的"知命"与"正名"的无奈和执著等,均体现出儒家文化深刻活跃在《水浒传》思维机制的整体框架、表层摹划到内部肌理、核心质素的各层级中。

Confucian culture has been the deep accumulation of a national psychology which is involved in the construction and operation of the thinking mechanism of＂ Water Margin＂, including general thoughts, characterization, plots, etc.Confucian culture is the fundamental and basic cultural factor in ＂ Water Margin＂, and an indispensable material of its thinking framework too. ＂ Water Margin＂＇ s ＂ Technique＂ and ＂ Politics of resentment＂, male and female characters and their＂Secular＂ passion,profound interpretation and interrogation of ＂Benevolence＂ and ＂Righteousness＂,as well as the helpless and persistence of ＂Knowing destiny＂ and＂Rectification of name＂ after the ＂Offer amnesty＂,all of which reflect that Confucian culture plays an important role in the thinking mechanism of ＂Water Margin＂,ranging from the general frame to the internal structure.