从赵得贤和朴容媛看中国朝鲜族艺术舞蹈的形成与发展

Formation and Development of Chinese-Korean Dance in the Perspective of Representative Figures

众所周知,朝鲜民族舞蹈发轫于朝鲜半岛,经过移民的传入在中国这片土地上扎根并发展成为集传统舞蹈文化、崔承喜新舞蹈艺术思想以及中国的朝鲜族民俗舞蹈为一体的艺术舞蹈。发展初期的朝鲜族舞蹈仅仅是单纯的娱乐手段,但今天已发展成为能将人类意识形象化的艺术手段,这一过程为中国特定的社会体制和文化环境注入了充足的发展活力,也为中国朝鲜族舞蹈自身特色的形成起到了决定性作用。本文将以那些为中国朝鲜族艺术舞蹈的形成和发展作出重大贡献的代表人物的舞蹈思想和艺术成就为主线,结合不同发展阶段的艺术特征和创意成果,试图描绘并共享艺术舞蹈的发展规律。

Chinese-Korean dance which combines traditional dance culture,new dance thought of Cui Cheng-xi and ChineseKorean folk dances,emerged in the Korean Peninsula,and has made a great development in China through the immigration. At the early stage of the development,Chinese-Korean dance is just a simple means of entertaining,but today it has become the artistic means of visualizing human consciousness. The formation of characteristics of Chinese-Korean dance has been greatly promoted due to Chinese specific social system and cultural environment. This paper focuses on the thought and artistic achievements of the representative figures of those who made a significant contribution to the formation and development of Chinese-Korean dance,combining with different stages of development of the artistic characteristics and creative achievements,attempting to describe and share the rule of the development of the art dance.