多重视域下的中国传统音乐影像民族志之探索与实践——以丽江洞经音乐再研究为例

Exploration and Practice of Inter-discipline Subject Perspective of Chinese Traditional Musical Visual Ethnography: An Restudy Example of Dongjing music in Lijiang City

自2014年成功申报了华中师范大学中央高校基本科研业务费专项资金支持计划的优势课题培育项目《中国传统音乐文化影像民族志大系及其研究》以来,希望能够充分借力大学的多学科平台优势、音乐学院的团队特色和自身在学业上的积累,将科研、教学与艺术实践三个方面结合起来设计和研究。论文阐述了近三年来研究项目设计和进展情况。鉴于目前该项目仍旧处于进行时态,仅侧重于"探索与实践"的理念建构与进展分析,而并非是终止式的结语。主要内容分为四个部分:1.课题理念缘起;2.课题整体设计;3.课题个案阐述:丽江洞经音乐再研究;4.课题后续进行时。

Since 2014, when the advantage project Chinese Traditional Musical Visual Ethnography Series and its research was successfully approved in CCNU, I hope to combine three aspects in it ,which are study ＆ education ＆ performance. This paper interpretate the design and progress in past three years. As it is on-going, I prefer to analysis the concept construction of exploration and practice, but not an conclusion. The main content is divided into four parts： concept, design, an restudy example of Dongjing music in Lijiang city, and project follow-up.