《长物志》中尚“雅”卑“俗”器物审美观管窥

Having a Restricted View on Aesthetic Perception of Advocating “Ya” and Demeaning “Su” about Implements in Zhang Wu Zhi

尚"雅"卑"俗"审美观念贯穿于《长物志》始终,成为文震亨赏鉴一切物品尤其是器物的核心标准。此种器物审美观主要体现在对器物材料、形制以及工艺装饰等三个方面的品鉴上。文震亨人文精神的物化与其对所处特定时代之社会风尚的理性批判共同促进了其尚"雅"卑"俗"器物审美观的形成。

Aesthetic perception of advocating “Ya” and demeaning “Su” runs through Zhang Wu Zhi and becomes Wen zhenheng’s core standard of appreciating everything especially implements. This Aesthetic perception about implements is mainly reflected in the appreciations of three aspects such as implements’ material, structure and technical ornamentation. Wen zhenheng’s materialization of humanistic spirit and his rational criticism to the social climate of special time which he lived jointly promoted the formation of his aesthetic perception of advocating “Ya” and demeaning “Su” about implements.