宗教的救赎与文化的复兴——柳宗悦与张道一民艺思想比较研究

Religious Salvation and Cultural Revival——A Comparative Study of Folk Art Thoughts of Muneyoshi Yanagi's and Zhang Daoyi's

柳宗悦与张道一两位学者的民艺理论体系在搭建伊始就已表现出不同的价值趋向。柳宗悦以宗教的视角审视民艺的内涵。张道一在传统文化的回望中搭建了民艺研究的文化平台。在民艺的功能归旨、审美旨趣、经济指向及研究方法中,柳宗悦不仅将民艺纳入宗教审美体系,而且以宗教的精神救赎功能引领民艺皈依于社会意义。张道一则植根于中国传统造物观的诠释与民间艺术的复兴征程,浸染出有文化复兴色彩的民艺思想。

Folk art thoughts of Muneyoshi Yanagi's and Zhang Daoyi's showed different value directions at their beginning.Muneyoshi Yanagi examines the connotation of folk art in a religious perspective.Zhang Daoyi built cultural platform for the study of folk art in reviewing traditional culture.In the function purport,aesthetic purport,economic direction and research method of the folk art,Muneyoshi Yanagi not only put folk art into the religious aesthetic system,but also lead folk art convert to social meaning with the religious spiritual salvation function.Zhang Daoyi rooted in interpretation of traditional Chinese creation view and revival journey of the folk art,and disseminated his folk art thought with color of cultural revival.