开放性传统:“接通”视域下的客家音乐文化——以客家器乐与戏曲音乐为中心的论述

The Openness of Tradition: a Review of Hakka Instrumental Music and Opera Music

由于客家音乐研究过于强调其特殊性以及注重探究与古中原音乐的关联,学者们似乎在为大众构筑成"桃花源"式的错误文化认知。本文立足于民族音乐学视角,以客家器乐与戏曲音乐为例,从历史深层、文化地理等角度解析客家音乐文化的相通一致性特征。客家音乐与其他区域音乐一样,与我国一体化的传统音乐和周边区域音乐之间均存在密切关联,客家音乐文化在形成过程中具有中国传统音乐文化的开放性传统。

As Hakka music studies put too much emphasis on its distinctiveness and highlight its connection with the ancient music in Central China, scholars seem to build a wrong cultural cognition for the public that Hakka music is secluded as the paradise village ＂Tao-hua-yuan＂. Based on ethnomusicology, this paper analyzes the consistency be- tween Hakka music and other Chinese traditional music from the perspective of history and cultural geography, taking Hakka instrument music and opera music as examples. Like other local music, Hakka music has a close link with the traditional national music and its surrounding local music whose formation demonstrates the openness in Chinese tradi- tional music culture.