摘要
赣南道教节日祈祥法事,是当地畲族、客家老俵于道教节日前后为祈佑国泰民安、五谷丰登而举行的庆祭仪式活动。"人"在法事仪式音乐活动中起到了关键的主体性作用,具有很强的能动性。法事仪式音乐"人"涵括了执仪者、组织者、接受者三类不同角色的参与人群,这些群体均需通过鲜活的生命个体方能展示各自的仪式行为特点所在。"畲客共醮"的赣南道教节日祈祥法事仪式音乐,营造出一个错综复杂的动态网络,其以音乐的纽带和动人的展示,串接起不同的人、不同的事、不同的历史时空与生命心境,顽强地延续着一方土地的传统艺术与民俗精神。
The Taoist feast day auspiciousness praying ritual of southern Jiangxi province is a celebration expecting harvest and peace held by She and Hakka ethnic groups. People have been playing a crucial role in the musical activi- ties. People in the ritual musics include executants and constitutors and recipients three types of different participations in the crowd. These participations need to display their own ritual behavior characteristics through the living individual. The musics in the Taoist feast day auspiciousness praying rituals of southern Jiangxi province string together different people and affairs and historical time and space and life state of mind through the bond of music and the moving presen- tation to make tenacious continuation of the traditional art and folk spirit of the land.
出处
《贵州大学学报(艺术版)》
2016年第4期73-79,共7页
Journal of Guizhou University Art Edition
关键词
赣南道教节日祈祥法事
仪式音乐
参与人
畲族
客家
Taoist feast day auspiciousness praying rituals of southern Jiangxi Province
ritual musics
partici-pants
She ethnic group
Hakka ethnic group