摘要
吴国伦作为"后七子"重要成员,他力图通过创作来实践复古理论。其七言古诗的创作在语言和范式上向汉魏盛唐学习的同时表现出强烈的个性特征,内容上突破了歌行体多用于宴饮赠别、吟咏风物的局限,继承"诗史"笔法,多角度表现了广阔的社会现实,开拓了这一体裁的表现范围,增强了诗歌的表现力。研究其七言古诗创作有助于加深对吴国伦本人和复古派在创作体裁和题材结合运用方面的理解。
As an important member of "Hou Qizi" school, Wu Guo-lun has been trying to carry out the theory of "returning to the ancient style" by poetry creation. His seven-syllable poems with distinguished personal characteristics learned mostly from the poetry of Han, Wei and Tang dynasties in vocabulary and poem style. The topics concerned various aspects of the society, including farewells, feats and beautiful scenery, and the epic style was involved in them, which broke the barriers of this poem style and gave more express- ing power to the poetry. The research on Wu Guo-lun's creation of seven-syllable poems will be conductive to understand the combina- tion and application of style and topic by Guo-lun himself and "returning to the ancient style" school.
出处
《长春大学学报》
2016年第9期67-71,共5页
Journal of Changchun University
基金
湖北咸宁市"咸宁思想库"课题(XNSK-Y1539)
关键词
吴国伦
七言古诗
个性特征
诗史笔法
Wu Guo-lun
seven-syllable poetry
personal characteristics
epic style