萨都剌诗歌的写意风韵

The Freehand Style of Sadula's Poetry

生于塞北、宦游经商在江南的诗人萨都剌,兼具北方苍劲与南方柔美的独步才情,其诗歌中体现出特有的南北交融、诗画相映的审美意蕴,在具有古老诗歌传统的中原大地上留下了特别光辉灿烂的一页。从中国画写意特点的角度,分别从简约之美、恬淡白描、动静相宜三个部分,对萨都剌诗歌的审美意蕴进行深入探索。

Sadula was born in the north to the Great Wall and he travelled for the official work and did business in the south. Saduta as a poet of unrivalled talent united both the northern powerfulness and southern gentleness, whose poems reflect the unique aesthetic implication of north and south and poetry-painting integration and remain particularly bril- liant in the Central Plains with a long tradition of ancient poetry. From the perspective of the freehand style in painting, this paper conducts a deeper exploration to the aesthetic implication of Sadula＇ s poetry from three aspects ： the beauty of conciseness, the beauty of unconventionality, and the beauty of appropriate action.