昌耀:“大诗歌”观及诗人写作的局限与自由

Chang Yao: the “Grand Poetry”View and the Poet's Limitations and Freedom in Writing

昌耀在三种身份之间转换,他以"百姓"生活,而他作为一个已经觉醒了的人,这"百姓"的生活又让他无法在心理上完全认同,虽然他是"百姓"这一宿命的忠实的实践者和无法改变的承受者。于是,他将其精神化为"行脚僧",他成为一个"百姓"的"布道者",但同时他又是一个在"百姓"中行走的"化缘者"。这所"布道"的,不是"百姓",而是"百姓"给他的行动的神示。他"布道"之工具是诗,他在俗世布道之身份是"诗人"。

Chang Yao switches among three kinds of identity,for like a ＂common person＂as he may live,he cannot completely acknowledge such a life psychologically in that he is awakened,even if he is a faithful practitioner and an inevitable recipient of such a fate. Therefore,he has become a ＂preacher＂for ＂common people＂. The＂sermon＂is not aimed at＂common people＂but some prophesy for action from them. The instrument for his＂sermon＂is his poems while his identity is a ＂poet＂.