类型、结构与“地母”原型:《汪洋中的一条船》

Genre,Structure and the Archetype of “Earth Mother ”in A Boat at Sea(Wang-Yang-Zhong-De-Yi-Tiao-Chuan)

《汪洋中的一条船》是李行乡土写实电影的代表作之一,也是首部在中国大陆放映的台湾电影。本文从电影类型、电影结构与女性形象塑造三个方面对影片进行了分析。作为一部励志的、关于残疾人的传记故事片,《汪洋中的一条船》有着家国与个人双重寓意,"文化中国"和"乡土中国"的意象贯穿影片始终,在电影精神上与中华传统文化、民族伦理道德一脉相承,在电影结构上对中国早期电影"影戏"传统进行了继承与发展,围绕戏剧性场面采取时空交错式结构,并成功塑造了吴继钊这一"地母"形象。

A Boat at Sea （Wang-Yang-Zhong-De-Yi-Tiao-Chuan） is one of the representative local realistic films directed by Lee Hsing and also the first Taiwan film shown in China's Mainland. This paper analyzes it from the per- spective of film genre, structure and the portrayal of female images. As a biographic story about inspiration and the disa- bled people, A Boat at Sea acquires double implications of the nation and the individual with the images of ＂cultural China＂ and ＂local China＂ running through the whole film ; tional ethics and structurally it carries on the ＂film-drama＂ Spiritually it inherits the traditional Chinese culture tradition in early Chinese films; and it successfully WU Ji-zhao as the image of ＂Earth Mother＂ by interweaving time and space in some dramatic scenes.