摘要
电影中的民俗,无论是物质民俗、社会民俗还是精神民俗,都承载着一个国家、一个民族的文化形象。我国民俗电影的拍摄应进行叙事、剧情与民俗的有机融合,强化戏剧矛盾冲突,在民俗与剧情互为依存、互相渗透、互相推进的关系中来揭示影片深层的社会意蕴;要让民俗参与塑造具有人性共通性与个性的饱满、立体的民族人物形象;要以民俗与环境氛围营造有机结合,使影片具有真切的生活质感,通过民俗来构建人物和环境的关系;要争取具有生活底蕴与文化积淀、拍摄经验与影像思维能力、能够进行较好题材把控与精良制作的优秀导演参与拍摄;要让演员潜心钻研当地民族文化、悉心熟悉当地民族本族生活;要以大场面和电脑高科技在电影审美的视知觉层面打造引人入胜的民俗奇观,用来烘托、渲染影片氛围,使场景画面产生极强的震撼力。
The folklore in film, regardless of material, social or spiritual a country and a nation. It is suggested that the filming of Chinese folk ones, all carry the cultural image of film should combine narrative, plot and folklore, should intensify the drama conflict and reveal the deep social implications in the relationship of folklore and plot which is inter - dependent, inter - penetrating and inter - promoting. Folklore should be involved in the modeling of ethnic characters which are embodied with universal humanity and full and vivid individuality. Folklore should be integrated into the construction of an environment in order to increase the authentic quality of life so that the relationship between character and the environment can be established through folklore. Excellent directors are needed who are knowledgeable of life, culture, filming experience and visual thought and are able to choose the topic wisely and produce quality film. The actors should study the local ethnic culture so as to better understand the local life of the ethnic people. Finally, the big scene and PC high - tech are needed to make stimulating folk spectacle at the visual level of the film aesthetics in order to create an atmosphere and a powerful stun in the scenic picture.
出处
《民族艺术研究》
CSSCI
2016年第4期43-53,共11页
Ethnic Art Studies