深情的痛苦与“假实证幻”的精神超越——汤显祖《南柯记》人文精神分析

Intense Affection and Pain and Spiritual Breakthrough by“Confirming Fantasy with Reality”:Analysis of the Humanistic Spirit of Nanke Dream by Tang Xianzu

汤显祖的《南柯记》是一部具有现代人文精神的作品。剧作以作为个体的淳于棼失去群体后的无奈、孑然无助的焦虑和苦闷、梦境中的人生悲欣沉浮、出梦的醒悟和超越,构成哲理性情节,将人引向深邃的哲思;以淳于棼纯粹的个体悲剧意识,塑造了一个自我超越、自我完成的独特形象,把观众带入新异的审美体验之中;汤显祖以"情本体"立论,剧中寄予了他个人深切的人生感受,创造性地描写了淳于棼对世俗凡情的执着和挣脱与自我超越、自我实现的精神升华这一过程,由此把个体生命意识的深度和精神自由的高度推向一种前所未有的心灵境地中;剧作采用象征的、表现的和魔幻的手法来创作,因此具备了鲜明、强烈的现代性气质。

Nanke Dream, One master Playwright by Tangxianzu is a play with modern humanistic spirit. The play is composed of philosophical plot - the individual Chun Yufen is isolated from the society and suffers helplessness, solitude, anxiety, depression, and the ups and downs in his dream and after waking up under- goes epiphany and has breakthrough, which is very thought - provoking. The play creates a unique character with self - transcendence and self - completion, which involves the audience in a novel aesthetic experience. Tang Xianzu sets the tone of the play with ＂emotion ontology＂ and embeds his deep personal feelings in the play, and creatively describes Chun Yufen＇s painful emotional experience and his spiritual transcendence, thus putting individual life consciousness and spiritual freedom to the unprecedented height. The play adopts symbolic, expressive and magic techniques and demonstrates a clear and strong modernity.