演艺新动态下的中国话剧

Chinese Drama under the New Entertainment Dynamic

新形势、新背景、新的文化环境下中国戏剧艺术的"出路"在哪里?当下重要的是对戏剧艺术生产的实施、制作、管理方面的具体问题进行思考和认真解决。目前有这样一些戏剧艺术领域里出现的现象可以引导我们思考这一问题:戏剧演出中对多媒体的运用,正在改变戏剧艺术的表现成分和欣赏视点;"浸没式戏剧"在演出中对观、演活态关系的放大,是对当今的以体验经济为底蕴的"活态"经验的极端强调;中国国家话剧院引进的剧目《战马》,让我们看到了技术对剧目的意义表达、艺术表演的托举所发挥的巨大作用;"戏剧构作"对剧目生产与人才培养的双重意义。这些现象,对中国当下的话剧舞台的发展进路,应该是富有启示的。

Under the new situation, new background and new cultural environment, where should Chinese dramatic art be going？ The present priority is to think and seriously address the problems in the implementa- tion and management of dramatic creation. We can consider this through the following phenomena in the field of theatrical arts ： 1 ） the application of multimedia in the dramatic performance is changing the factors that theatrical arts express and the viewpoints that the audience appreciate the dramatic works; 2） ＂immer- sion drama＂ magnifies the dynamic relation between watching and performing, which extremely emphasizes the audience＇s ＂living＂ experience based on the concept of experience economy ; 3 ） the drama War Horse in- troduced by National Theatre Company of China has shown us the great role that technology plays in express- ing the meaning of the drama and improving the performance ; 4） ＂drama composition＂ is significant both in producing new dramas and fostering drama talents. These phenomena shed tremendous light on contemporary Chinese drama stage, and perhaps more than that.