摘要
荷马在《伊利亚特》一书中对战争场面的直接描绘充斥着浓重的血腥气息,最直接地体现了暴力和死亡的力量。他将战争中表现的暴力作为美的事物进行歌颂,暴力因此被纳入美的研究范围中,成为暴力美学。歌颂暴力的美学是其在史诗中表现的一种独特的战争观念,核心是将对暴力的批判转变为一系列动作的欣赏和场面的铺排。经过净化后,战争、暴力及杀戮终将展现为人性的光辉。
Homer's explicit description of the bloody scenes in war in Iliad most directly reflects the power of violence and death.He sings so highly of violence in war as a thing of beauty that violence has become part of the aesthetic research,called aesthetics of violence.Aesthetics of violence,which sings of violence,is a unique concept of war conveyed in Iliad.Its core is to turn violent criticism into the appreciation of a series of actions and the arrangement of scenes.After being purified,war,violence and killing are displayed as the glory of human nature.
出处
《河北北方学院学报(社会科学版)》
2016年第1期76-80,共5页
Journal of Hebei North University:Social Science Edition
基金
喀什大学研究生科研创新课题项目(KSGRI2015018)
关键词
《伊利亚特》
暴力美学
战争观
Iliad
aesthetics of violence
the concept of war