《游园惊梦》中的平行技巧及其佛教思想

The Practice of Parallel Techniques and Buddhist Thought in Peony Pavilion

台湾作家白先勇的《游园惊梦》是其短篇小说集《台北人》中最具美感的一篇,讲述了主人公钱夫人在如梦如幻的"游园"中经历的似真似假的"惊梦"。小说中,白先勇借平行技巧发出"人生如梦"的感慨,并营造了"旧事重演"的美学效应。另外,《游园惊梦》中还蕴涵了丰富的佛教思想,而佛教的"色空"观念与文本中平行技巧所深化的主题遥相呼应,都阐释了"人生如梦"的终极主题。

Peony Pavilion by Bai Xianyong is the most beautiful novel in his collection of short stories Taipei People.The protagonist Mrs.Qian has some illusory experiences in the dreamy garden.Using par-allel techniques,the writer expresses the feeling of“Life is but a dream”and creates the aesthetic effect of“The past is reprised”.In addition,Peony Pavilion contains rich Buddhist thought,and the idea of Se Kong in Buddhism echoes the theme deepened by the use of parallel techniques,which explains the ultimate theme of“Life is but a dream”.