谈威尔第歌剧创作中的人性化特点——以《假面舞会》中葛斯塔夫的唱段为例

On the Humanization of Verdi's Opera Creation——Taking Gustavo's Aria in Un ballo maschera as an Example

歌剧《假面舞会》是威尔第创作成熟时期非常具有代表性的作品,也是威尔第歌剧创新道路上的又一次重要转折。分析歌剧《假面舞会》中男主角葛斯塔夫的主要唱段,可以看出威尔第对人性美好一面的追求和向往,显示了威尔第的"人性化"价值理念。

Un ballo maschera is not only the masterpiece of Verdi in his mature period of creation,but an important turning point for Verdi’s opera innovation.The analysis on the aria of the male character Gustavo in Un ballo maschera shows Verdi’s pursuit of the beauty of human nature and his value concept of humanization.